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Translation and analysis of words by ChatGPT artificial intelligence
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What (who) is you"ll hear from me - definition
SONG COMPOSED BY DUKE ELLINGTON; LYRICAL ADAPTATION OF "CONCERTO FOR COOTIE", LYRICS IN ENGLISH BY BOB RUSSELL
Do Nothin' Till You Hear From Me; Do Nothin’ Till You Hear From Me; Do Nothing 'Til You Hear From Me; Do Nothing 'Till You Hear From Me; Do Nothin' Till You Hear from Me; Do nothing till you hear from me; Do Nothing Till You Hear from Me; Do Nothin' Til You Hear From Me; Do Nothin' til You Hear From Me; Do Nothing 'Til You Hear from Me; Concerto for Cootie; Do Nothin' 'Til You Hear from Me; Do Nothing 'til You Hear from Me
Do Nothing till You Hear from Me
"Do Nothing till You Hear from Me" (also written as "Do Nothin' Til You Hear from Me") is a song with music by Duke Ellington and lyrics by Bob Russell. It originated as a 1940 instrumental ("Concerto for Cootie") that was designed to highlight the playing of Ellington's lead trumpeter, Cootie Williams.
Papa, Can You Hear Me?
1984 SONG PERFORMED BY BARBRA STREISAND
Papa can you hear me; Papa Can You Hear Me
"Papa, Can You Hear Me?" is a 1983 song composed by Michel Legrand with lyrics by Alan Bergman and Marilyn Bergman, for Barbra Streisand in the title role of Yentl.
Can't You Hear Me Knocking
1971 SONG PERFORMED BY THE ROLLING STONES
Can't You Hear Me Knockin'; Can't You Hear me Knocking
"Can't You Hear Me Knocking" is a track by English rock band the Rolling Stones from their 1971 album Sticky Fingers. The track is over seven minutes long, and begins with a Keith Richards open-G tuned guitar intro.
Wikipedia
Do Nothing till You Hear from Me
"Do Nothing till You Hear from Me" (also written as "Do Nothin' Til You Hear from Me") is a song with music by Duke Ellington and lyrics by Bob Russell. It originated as a 1940 instrumental ("Concerto for Cootie") that was designed to highlight the playing of Ellington's lead trumpeter, Cootie Williams. Russell's words were added later. In 1944, Ellington's own recording of the song was a number one hit R&B chart for eight non-consecutive weeks and number six on the pop chart.
Other recordings to reach the Billboard charts in 1944 were by Woody Herman and by Stan Kenton (vocal: Red Dorris).
